A children's book gave me the clearest lesson of my career: pacing, hierarchy and feeling aren't nice-to-haves. Turn the page too soon or too late and the whole thing falls apart. Through illustration, painting and teaching art, I spent years on a single question that still drives my design work: what will the person on the other side actually feel?

EMOTION

The Blue Girl
Children's book · Written & illustrated · 2023

A self-published picture book about the Blue Girl and her friend Green, exploring friendship through colour, written and illustrated for readers aged 2–4. Every spread taught me the same lesson I now bring to product: pacing, hierarchy and feeling decide whether a story lands. Turn the page too soon, and it breaks.

Character & Series

Recurring characters, built over time, each with its own world and visual language. Two ongoing threads: a pair of birds in watercolour and ink, and a series of original characters framed as small painted emblems. Different in style, same instinct — give a character enough consistency and feeling that it starts to live on its own.

Bird Friends
Watercolour & ink · Recurring characters

A pink bird and a green one, turning up across everyday moments, missing each other, cycling together, seeing the world. Small stories about friendship, told in colour.

Digital Painting

Where the linework gives way to texture, light and volume. Painted portraits, some from life, some invented, built to show that feeling and technical craft aren't opposites.

Character Emblems
Original character series · Ink & digital

A set of original characters, each held in its own two-tone emblem, the same framing applied again and again, so the collection reads as one system while every character stays distinct. These serie started always with a randon shape and stain, wich after I would find its character.

Painted Portraits
Digital painting · Procreate

Studies in fur, light and expression, a shift in register from my line work, and proof that emotion holds up at full rendering, not just in a few clean strokes.

Desegraforamante:
UFRGS Drawing Exhibition

Curation & teaching assistant · Instituto de Artes, UFRGS · 2016

As teaching assistant for Visual Language Fundamentals, I mentored first-year students through a semester of drawing and curated the closing exhibition, scroll drawings and video across the university's Ado Malagoli Art Space. I also wrote the curatorial text.

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